Wednesday, June 8, 2011

Manga: State of the series - Worth the wait?

SPOILERS! SPOILERS! SPOILERS!

Regardless, please buy the US edition of the manga before it gets all messy. 

PS - This article was written by PirateBeck and does not fully represent the feelings of Mikey-san but since he approved this, that would suggest he agrees somewhat.
   
   After enduring eight weeks of Fishman Island flashbacks, ONE PIECE is taking a week out of the Weekly Shonen Jump magazine before the big fight between Luffy and the Fishman pirate gangs presumably kicks off. 627 chapters have been printed and it seems nothing is set to stop this juggernaut from breaking records and out-selling each previous volume. Or does it? Nearly 30 chapters of the NEW WORLD, the term that’ll be used by Viz Media come Volume 61’s printing in 2012, have been released and yet, one has to question whether Oda has lost some of the magic that made the series seem worth the price of admission for so long. Read on, as I analyse some of the weakest aspects of this brand new world.

           Unlike many of the Shonen titles that populate Shonen Jump, One Piece rarely relied on power-ups and fighting as it's focus, rather as something the characters developed in their own spare time to use against those who wished to destroy them. Although Oda later came to abuse the Gear Second power-up that he gave Luffy, a power-up he continues to use in near every battle despite it also slowly reducing his life span, it never got in the way of what made the series fun to read, as its focus has always been about adventure as opposed to fighting. Yet, the reintroduction of the Straw Hat gang has given us little aside from power-ups and visual alterations to their hair styles and clothing. Despite spending two years apart from one another, very little feels different about the characters themselves, especially that of Luffy who suffered immense pain of late. While this may have been Oda’s intention, as many new readers have come on board since the war, the way in which he re-established this brings back memories of how the series began instead of showcasing how they’ve grown over the years. The effect is similar to that of what the Amazing Spider-Man is currently experiencing in his own title in that he’s not growing as a character, he’s growing because he can design all these amazing suits and because he has the ‘perfect’ girlfriend that allows him to get away with the stupidest of excuses, despite being shown as somewhat unbalanced herself. The story thus suffers since the focus is on the characters attributes rather than the character themselves, taking the reader out of their story. I’m not suggesting that Oda should make the characters seem emotionally shattered or turn them into pirate replicas of Sasuke Uchiha but in all honesty, Luffy feels a lot less mature during this arc than he did throughout Sabaody or Water Seven, the latter of which were he made a choice between saving or leaving the Going Merry behind. Luffy's character has never been about maturity but if a brother was to die right in front of you, you outlook on life will change, even in the tiniest of ways. Regression is what I’d use to describe what the character has gone through since leaving his comrades behind.


            Power-ups themselves are not a terrible concept however and if used correctly, can make the story far more interesting, as one developing within Yusuke was what ended up making his battle with the former spirit detective Sensui in YuYu Hakusho worth reading into. Even so, despite their strength being suggested or even hinted at, they’ve yet to really show it. Within the last 30 chapters, there have been a grand total of three battles, one of which is currently being fought while a flashback ensues. One Piece after all is a shonen (boy) series and thus, fighting is something that is expected of the genre, though as stated above should not be the key aspect in a series like One Piece. By not including it within the title, it contradicts his previous statements that the series is primarily a children’s story, like how romance is never focused upon in the romantic sense. This lack of action, especially in the 62nd collection of the series, has been felt across the board but we’ll continue to delve into that as we go along.

 Even Luffy is getting tired of all this.
            
     Discounting the fighting and progressive aspects of the story, one of the most important things to consider of the story is the story itself and the current lack of it. Discounting the last 8 chapters, not a lot has happened since the Straw Hats headed to the island. Most of the time has been spent introducing lots and lots of characters, ones that have had little to no impact on the story itself as well as the unnatural way in which these characters were forced upon us, leading to a unsmooth introduction to the latest batch of debatably loveable characters. The problem with this is that by doing this, the focus has been removed from the title characters themselves and put on people that, at this point, we couldn’t care less about. Fans spent two years waiting for the Straw Hats to start kicking ass and yet all we’ve seen are new characters and a focus on silly gags. In fact, one of the plot points in this arc was driven by Sanji’s massive nosebleed, which caused the guards to notice their presence. I apologise but this is some of the weakest writing I have seen from Oda yet. Having to rely on a gag to progress the story is just lazy and shows that his strengths, as evidenced by his lack of focus, is waning. By using something silly to drive the plot, it makes the story seem childish which would be fine is we weren’t supposed to be taking the entire scene as a serious development.

            Speaking of the nosebleed, what caused Sanji to erupt with such force was being surrounded by mermaids who are supposed to far more beautiful than any human could be, as we are to believe within the story. Oda’s art has suffered little between the Paramount War and the New World yet this is the perfect example of one of his few artistic weaknesses, drawing individualist women. Due to his current inability to draw breasts on human characters smaller than a D-cup, along with the fact that many of his females share the exact same facial designs, only highlight the fact that the mermaids in no way look any more appealing than the amazons, the inhabitants of Sabody or even the female Straw Hat pirates. It is somewhat hard therefore to see how any of the characters are more desirable than human females, especially since some of the female fishman have reasonable breasts. To be blunt, their role in the story was to be that of a desirable sex object for our favourite chef and musician, making them no more special than a blow up doll with fins. 

No I can't get over how this is supposed to taken as a serious development

            However, the weakest part of the story thus far has been the flashback itself. What makes this one particularly weak is its placement as well as what was previously established in the story. Oda relied heavily on his tropes for this one, as we knew going in that Fisher Tiger and Queen Otohime were already dead before we started and thus those came to light pretty quickly. Despite this, it still felt drawn out and poorly handled as we knew from the start that Queen Otohime was destined to fail. It’s hard to invest in characters who you know will be dead by the end of the flashback and considering where he placed it, just made it seem all the more disheartening. If Oda had written this during his earlier days, he would have either waited until the arc was drawing to a close (Usopp and Brook) or revealed this in a far better fashion than he did here, as the overall result of the flashback was predictable and yet, it still felt drawn out despite only lasting for roughly eight chapters. There were certainly highlights, like the emotional death of Queen Otohime and her struggle to get the fishmen accepted by humans, but those highlights could have been saved for later or been better written as the placement within the story itself was awkward. As stated before, it's been two years since the Straw Hats were fighting under one flag and for them to start fighting, only to be interrupted by two months of flashbacking takes one out of the experience.

            Now, you may argue that since this is just my personal opinion, many would disagree, saying that this is just what the fans have been wanting since the war ended. Well, despite the increase in popularity, One Piece volume 62 is currently the lowest rated volume on the Japanese version of Amazon with over double the amount of 1 star reviews as there are 5 star reviews. And their comments? The exact same stuff I’ve spent this entire essay going over.

The lowest rated volume on Amazon Japan. Even lower than Skypiea.

            In short, I personally feel that One Piece has hit an all new low, as the current arc has been unfocused and drawn out, leading to scenes of humour that are supposed to be taken seriously, flashbacks that could have easily been saved for a later date and plot points that will most likely be forgotten about as things progress. What remains now is how the fanbase will continue to interact with the series itself. Will they continue to enjoy the series for what it used to embody best or be willing to admit that, despite all their claims against titles like Naruto and Bleach for being terrible, One Piece is suffering from the exact same problems they complain about? Oda may reach his high point once again but only time will tell if this series can regain its glory or if it will continue to sink.

14 comments:

  1. I'm sorry but I really have to strongly disagree. While there have been a couple questionable chapters, I don't think Oda's lost his touch at all. I loved the flashback and I thought the battles leading up to the flashback really showed how much the strawhats have grown. Still, personally, I think it'll be ten times better when they're back on an actual island. It seems Oda gets better when they have an actual island to land on.

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  2. I agree with Zenith I think the story has been amazing so far the flashback was brilliant and very touching. I disagree completely with what Beck said about Otohime and it being hard to invest in her because we knew she'd be dying. I still cheered for her and loved her, Oda made it so that it hurt so bad to know that she'd be dying especially making her die like that.

    And as for Luffy and his crew, I'm happy to see them still being who they are especially when it comes to Luffy. I would have hated to see him become dark or harden because of what happened to Ace, I believe he has matured where it matters and when the right moment comes we'll see it.

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  3. Sorry, but I have to respectfully disagree here. Let me put it this way: The Fishman Island is, kind of a mix of the Sabaody Archipelago and Skypeia. The Fisher Tiger and Otohime flashback: It was gonna be that long since 1) the former was hinted to be very important to the background of the Fishmen, and Jinbei in particular. And 2) they are historical figures then like the whole flashback of Montblanc Norland and Calgara its expected that the characters and the ideals of them would be explored.

    I also don't think Oda's art has suffered at all. Rather, I'm more worried that it has ''stayed the same''. It could be argued that Princess Shirahoshi looks like a giant mermaid version of Nami. It's also possible he's finding it harder to draw women who look differently. But I wouldn't get at it him for that. Compared to, say 10 years ago, I think Oda's efforts in drawing individual people were impressive as it is.

    As for the loads of characters, let's be honest: It's always been a feature of One Piece. It was really noticeable in the Alabasta arc and even more condensed in the Amazon Lily arc

    I always thought Luffy's continuous usage of Gears (BTW, I stopped taking seriously that he might die from its over-usage by the Amazon Lily arc. Possibly it could've meant if his body never got used to it read: being severely exhausted. Kinda like Goku's Kaio-ken thing in DBZ) shows that as he approaches the first half of the Grand Line, he realises he'd have to push himself to the very limit to protect his crew and be Pirate King. In Water 7, the ass-kicking Aokiji gave him made him realise how powerful his adversaries were going to be. Even in the Impel Down arc and the Paramount War, it was made painfully clear even spamming the Gears with willpower alone isn't enough to deal with even the level of adversaries the likes of Shanks, Whitebeard and even Ace, and some of the high-level prisoners (Jinbei, Ivankov, Crocodile) are used to fighting.
    However, after the Time Skip, personally, I feel that in this latest arc: ''it started too early''. Seriously. Two of the apparent major villains of the arc, Vander Decken and Hordy Jones, and they have their asses handed to them by Luffy and Zoro respectively with apparent ease. From the looks of it so far, The Straw Hats have almost become ''too'' powerful. I have no idea where their limits are.
    And last but not least (ironically) the sales and value:
    In terms of sales (not to make too much a point of it) Volume 62 sold around 2.37m copies in total as of May 15th 2011. According to the Oricon Comic Ranking Vol. 62 makes it 13 times that One Piece has sold over 2 million copies of a tankobon. I’d think people must still consider the series to be worthwhile reading.
    Yes, I agree the pace has changed a lot. It actually seems a bit erratic. But I don't think this is really a new low for Oda. I think his writing is fine. Still, I admire the fact you're encouraging OP fans to give a critical evaluation of where One Piece is right now. To me, it's still brilliant. But ''nothing'' (so far) could top the Paramount War. And I wouldn't expect Oda to do that on what I'd call a "transitional arc". Cheers.

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  4. I think you've made a few very good points. I'm not too great with detailed debate so I'm not going to really bring my opinions into this, but both the comments & the original entry definitely give some food for thought.
    Whether or not this is a low point for Oda doesn't matter to me too much. The series itself is still a fantastic adventure that I would never stop reading. He's been doing this for.... 14 years, I believe? I doubt that One Piece will lose any fans even if it hasn't exactly lived up to its full potential.

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  5. I always felt that the series wasn't the same... thanks for listing it all out simple and straightforward. I had small revaluations after each paragraph

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  6. An all-time low? Hate to break it to ya but all of these chapters of Fishman Island have only been build-up so far. From the wordings in your post, it's almost like you're -wanting- One Piece to quote, "sink further." Just as many fans think Fishman Island has been brilliant so far as the ones who haven't liked it.

    Please don't judge an arc so critically that hasn't even got the ball rolling yet. That's like saying all Water 7 is going to be about is the the Straw Hats fighting the Franky Family. It's just tasteless.

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  7. this is just wrong .. seriously..

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  8. You must really hate learning history don't you... learning about a dead people.. how everything started, people motivation, ambition, hope, ideology and how they got them.. seriously, you need to learn more about the world, read more good story, how to write a good story.. sorry don't have an account - mabonjwa@gmail.com

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  9. I didn't really like the way the flashback was done either. But 8 bad chapters out of 600 doesn't mean the series is "sinking", especially if you realize that we are just coming off an all-time high with Marineford, so the comparison is far from fair. If anything, this arc just gave the Naruto fans and OP haters out there another reason to be bitter and rate 1/5 on Amazon.

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  10. Ha, this is really funny. So many comments, on such a build up to this next part. I have to say that I have NOT read this far in the series yet, so I am CLEAN of spoilers (yes), but this sounds (by the displays of everyone's dissagrements and arguments) that this is having a similar effect as was Skypiea and Arabasta; irritating some hard-fought One Piece fans with off-the-beaten-road things such as islands in the sky or desert islands, keeping away from the true pirate-y goodness of it all.

    Whatever the build up is to this next part in the series (namely this fight with the Fishmen dudes who are seriously not nice customers), I think that I put my vote for waiting until it comes out in the Anime version, THEN voicing my opinions. Emotions and actions are never so well shown than in the Anime, in my Very Humble opinion.

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  11. The flashback is not as good as most of One Piece flashback, but it not bad or the series is becoming bad or whatever. but who ever write this article seriously read One Piece for the wrong reason, and contradicting him/herself in this article. using amazon rating is just pure stupid. a fight without a background story is just stupid and waste of time. i think whoever write this shit is just recently become a One Piece fan at a time of War at Marineford. clearly doesn't have any experience on how Oda setting up his story. just want action, action, action.. i don't care about a dead character. i want a fight. shonen must have a fight.

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  12. hahahahahaha wow you know this is what people were saying during skypiea and thriller bark but in the end it all worked out ( we got water seven and then marine ford). DO YOU REALLY WANT LUFFY TO BE EMO jesus. thats what most annoyed me this.

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  13. I have to agree with you - I use to be excited to buy One Piece when it came out, but I haven't even bought the newest volume or finished the last one I've been so underwhelmed by this arc. Sanji's nosebleed I laughed at...and then Chopper is all "OH NO HE NEEDS BLOOD SERIOUSLY HE'S GOING TO DIE" and it just completely ruined it. I mean, what???

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  14. Hello from July 2013,One Piece has lost it's way..No worries-once Kaido and Big Momma become prominent and Garp is re-introduced in some way, all will be well.

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